|
New DVD Review
|
New TV Review
|
New Feature
|
|
|
Search
DVJ 2.0
|
||||
|
Pull
Quote:
After listening to the album several more times, I’ve come to
appreciate it a little more.
|
||||
|
DVJ
Photo
|
||||
|
Adverts
|
Gackt
Album
Company: Nippon
Crown
CD Length: approximately
52 minutes
Rated: PG (mild themes)
EXTERNAL EXAM
Gackt presented to his fans on a special Valentine’s Day, 10 love songs. From the joyful “Arittake no ai de” to the powerful “Sakurasou”, Love Letter will find a place in your heart and soul. You’ll definitely want to grab a close one, sit back, and cherish the moments that you have together.
FINAL EXAM:
Those
of you who are familiar with the J-pop or J-rock scene will most
likely be familiar with male vocalist, Gackt C.
Over the years, he has managed to make a name for himself as
some of the most popular artists coming out of Japan.
Even if you haven’t heard his music, you’ve probably seen
his face somewhere else. He’s
filled the covers of many Japanese magazines, done some acting,
appeared in many commercials for a wide range of products, and even
has his own video game. (Well, it’s a video game character
directly modeled after the singer.)
As some of you may know, Gackt started off his singing career as
the lead vocalist for popular visual kei band, Malice Mizer.
After some time with Malice Mizer, Gackt decided to leave the
band to pursue a solo career. His
first mini-album, “Mizerable” was the start of his promising
solo-career. Later in
2000, Gackt released his first album “Mars” which was very
well-received by the public. It
could be heavily debated as his best album ever.
The next year, Gackt would release yet another strong album
“Rebirth”. Afterwards,
Gackt began working on his “Moon Project”.
This included his third full-length album titled “Moon”,
a starring lead-role in “Moonchild”, his fourth album
“Crescent”, and a series of tours in between them.
Two compilations albums were released the following year in
2004, “The Sixth Day” (singles collection) and “The Seventh
Night” (acoustic compilation).
These albums were considered part of Gackt’s “The Gift”
project.
The album, “Love Letter”, marks the conclusion of “The
Gift” series. Opposed
to the regular album release time frame, it was placed out on the
shelves on this past Valentine’s Day. With an album title like
“Love Letter”, it seems to make sense to have a release on the
day of love. Anyway,
let’s get to reviewing to see what the “mush” is all about.
Gackt shows us how you should always finish off an album with the
title track, “Love Letter”.
When I first heard this song, I couldn’t help falling in
love with it. It’s
like Gackt is taking you through one of those touching romantic
movies with this song. It’ll
definitely keep you smiling till the end.
I can only imagine how much better it would be in Gackt’s
original voice. I
consider this my favorite track on the entire album, it’s very
moving.
We return back to a more mellow state with “Peace”, the
B-side track to one of his singles.
Again, this is an acoustic ballad with the occasional use of
the violin. I haven’t
been fond of this ballad since the first time I’ve heard it.
It doesn’t grab your attention like any other track on the
album. For that reason,
I consider it a skip track.
Moon Child, hyde, Larc, Malice Mizer
Being
a huge Gackt fan, it was only natural for me to get excited once
word came out about a new album.
I’ve been content with his releases so far, and had very
high expectations for this one.
To be honest, I didn’t enjoy the album the first time I
heard. When I popped it
in my CD player, I must have passed out after entering the fifth
track of the album. The
next thing I knew was waking up the next day.
My player was still on, but the CD had been long over.
Perhaps it’s the fact that I was extremely tired at the
time.
After listening to the album several more times, I’ve come to
appreciate it a little more. Granted it’s got superb tracks like
“Arittake no ai de” and “Love Letter”, but they’re not
enough to save the album. It doesn’t have the usual Gackt magic
seen in his other works, the kind that grabs you by the ear and
keeps you listening. In addition, I prefer his old voice compared to
the new one he’s using. I’m
still having problems fully digesting it.
The nasal sound doesn’t showcase Gackt’s full potential
in my opinion. What I
mean by full potential is that it sounds like he’s limiting his
vocal range with the new singing style.
I’m hoping that he’ll return to it with his next single
coming out in late April. Love
Letter is a decent effort, not anything exceptional.
It’s an album that you’ll find yourself listening to from
time to time, but not killing it in your player like you could with
his other albums. For
those who are interested in taking a look at Gackt’s works, I
would suggest listening to his Mars album (happens to be my
favorite) or any of his other albums prior to Love Letter for that
matter. Love Letter is
really an album that I can only see major Gackt fans investing in.
©All information protected by DVD Vision Japan copyright unless otherwise noted.