SUMMARY
Special Agent John Myers has just been assigned to the Bureau of
Paranormal Research and Defense. Led by the very strange Dr Broom, Agent
Myers is about to enter a bizarre new world. A world where a
creature of evil is on the side of good, a man lives underwater, and a
girl that can light his fire in more ways than one.
John has picked the wrong time to join. Rasputin, the scourge of Russia
has returned from the dead to destroy the world. With his army of demonic
creatures, Rasputin is one step away from plunging the world into total
darkness.
Fortunately, we have our last line of defense, the demonic Hellboy...or do we?
WIDESCREEN REVIEW
I will be the first to admit, I don't know a lot about
Hellboy.
Most of what I know, I learned from the promotional
DVD from Best Buy. Still, I do love a good
comic, and a good comic adaptation movie even more. When you
throw in anime and comic auteur Guillermo De Toro (Blade II) as
director/writer, you can almost can guarantee success. Because of the
director, the strength of the trailer, and being a huge
fan of actor Ron Perlman (also of Blade II), I made sure I went the day it
opened.
Now, If you
believe all the advanced
press, this is a pretty faithful adaptation. You even have the
creator (and co-executive producer) Mike Mignola fully supporting the
movie. That's great news for the fans, but what about the great
unwashed? How well does this film stack up to other comic book
movies like "Blade
2" or "The Crow"?
Pretty damn good, if I do say so my
self.
Like "X-Men" and "Spider Man",
"Hellboy" is a study of human interaction disguised as an action
movie. It would have been easy to
make it all "demons and guns" like "MIB II" or a "nudge, nudge, wink
wink" comic type movie. Instead Guillermo Del Toro gives us
characters who actually interact with each other on a personal level, not
just professional. The people who work in the
BPRD are more of a family than they would admit. They bicker, they
love, and they even get into disagreements, just like your family. Course, when a 6 foot something
hell beast gets pissed, you know something is going to cost a whole lot of money
to get fixed.
It's understandable that the characters form some interesting attachments.
When you are forced to live in a world of shadow, where the
people they protect think they are evil, there are not a lot of people you
can turn to. That is where Del Toro shines,
writing about the human condition. He is also pretty good at the one
liners!
Now, exploring the human condition does not
equal character
development. If you were expecting the type of evolution that Peter
Parker experienced in "Spider Man", you will be unhappy. From start to finish, the characters are exactly the same
people as they were when the movie started. The only thing different is the nature of their
relationships.
I for one applaud del Toro for doing this. In real
life, people don't have radical personality shifts like they do in
"reel" life. Human beings keep the same personality, no matter
what kind of "paranormal" events they may experience. I
also approve how del Toro ends the movie with out a definitive answer to
the future of BPRD, or its members.
The action
is awesome. Once again, Guillermo del Toro has shown the world that he is
the master of comic book action. His fight sequences are beautiful, full of
energy and excitement. Like the anime inspired sequences in
"Blade 2", you can almost see the speed lines as Hellboy runs
after a monster.
Like his action sequences, everything, from
the design of the buildings, to the character themselves, are true
cinematic experiences. I totally dig the designs for the Nazi's, and
the BPRD is one cool looking place. There are also some great "comic
book" frames, that would be right at home in a graphic novel.
With
any film involving demons and ancient evils, you need some top of the line
CG. For the most part, Hellboy delivers. The CG elements are
blended in quite well with the "real" footage, and there are no
sloppy transitions. My only complaint is that the design of
the monsters had too many tentacles. Some of the demons looked like
they were extras from "Men In Black".
Rick Baker and his
Cinovation Studios once again show why they are one of, if not, the best
make up house out there. The prosthetics look so convincing, you forget they are nothing but
latex and glue.
I can see why director
Guillermo Del Toro and writer Mike
Mignola wanted Ron Perlman. He really makes the character his
own. His smart ass attitude is perfect for this ass kicking
"red monkey boy". When
it comes to Liz, his pyrokinetic friend, you get to see his sensitive
side. Channeling his character
from "Beauty and the Beast", Ron Perlman changes from hard-assed
behemoth, to a nice guy who would do anything for his lady fair.
Like
with Ron Perlman, I enjoy any movie that has the legendary John
Hurt. I almost didn't recognize him as the very tired Dr.
Broom. Unlike his usually "energetic" roles, Hurt plays the
doctor with a quiet dignity. This is not a wild man, ready to save on the world. This is a man who has seen
death and destruction for far too long, and he is full of sadness.
He loves Hellboy, and would do anything for him, even hide the truth. You can really see the father/son dynamic between Perlman and
Hurt, making for some very touching moments.
The rest of the cast is
decent, with Jeffrey Tambor at his arrogant best. Newcomer Rupert Evans
does well with the limited amount of character development, as does Biddy
Hodsen as the bitchy she wolf Ilsa. Karel Roder was sufficiently evil
as Rasputin, playing him more as a man driven to succeed, not a raving egomaniac.
The
only one who I wasn't impressed with was Selma Blair as the withdrawn, but
fiery Liz. I found her acting abilities a little on the dull
side. Yes, I know the character is supposed to be emotionally scarred,
and afraid to open up, but honestly, I don't think she was
acting.
I'll tell you, whoever the stuntman
was for the evil Kroenen should be the one to play Snake Eyes in a live action
"G.I. Joe". With out saying a word, he slices and dices his way through the
entire film. He is a total bad ass, just like our favorite
ninja. Come to think of it, Karel Roder in his Rasputin outfit would
make a good Dr. Mindbender. If we can get del Toro to direct, then a
live action "G.I. Joe" movie would kick some major Cobra butt!
Even to a non fan like
me, there are tons
of obvious references to the Hellboy comic, . Thankfully, they are not designed to exclude the
rest of the audience from
enjoying the movie. You also have the very lovely Selma Blair looking nice
in a couple of scenes. No nudity, but with all the action, who needs
it. I wonder if Ilsa is named after "Ilsa: She Wolf of the
SS".
"Hellboy"
is a prime example of when a comic book adaptation is done right.
From it's cinematic presentation, to believable characters, this movie
restores my faith in this new genre of film. As many of us said
after leaving the theater, "I can't wait for the sequel".
You
can't ask for more than that.
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