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Simply put,
I really
like this disc because of the feelings it evokes.
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Tsukihime: Lunar Legend
Anime Series Soundtrack
Company: Geneon
CD Length: approx 48 min
Rated: G (All Ages)
EXTERNAL EXAM
From Geneon Entertainment comes the dark and melodic tale of Tsukihime, Lunar Legend. Composer Toshiyuki Omori uses a wide assortment of string instruments to help tell the story of Shiki and his love for a vampire.
Combined with the beautiful vocals of Fumiko Orikasa, "Moonlit Archives" is a musical delight, that will bring you rapturous highs, to mournful lows.
FINAL EXAM:
Tsukihime, Lunar Legend: "Moonlit Archives" is the first in
an ongoing series of background music CD’s for this anime series.
Simply put,
I really
like this disc because of the feelings it evokes.
It gives off a different vibe that I could relate too.
Reviewers note: I have not seen this anime, so my review is
based solely upon the pure emotions each particular piece evokes.
Sacred Moon: This
opening track is very much like something by 90's techno group Enigma.
"Moon" is a great start to this CD, and I look forward to
what lies ahead.
Inscrutable: Kind of dark song, with a deliberate, almost
metronome, pace to it. You get the impression that time
is quickly running out. There
is a mysterious undercurrent to the song, making it even more interesting.
Castle: Imagine if you will a scene in which a horrible secret
has just been revealed to you.
Thanks to the timely use of piano, "Castle" takes
on a more frantic and earth shattering
element to the piece.
Urgency:
Like
the title, there is an frenzied aura to this piece. You feel
as if you are being chased,
and if you get caught, something dreadful might happen.
You can almost hear the evil laughter in the background.
This track gives me the willies!
Insanity: Like "Sacred Moon", this is a smooth techno
track that would fit right in with
movies like "The Matrix" or "Blade".
There are a couple of places where it sounds like the backing
track skips, giving it a very hip-hop feel.
Doubtless: A very nice build up here as Composer Omori
adds more instruments to the piece.
The start is a little bit like “Flight of the Bumblebee”.
A
strong drum beat picks up half way through, bringing
"Doubtless" to a powerful close.
Betray: There is a
concealed presence here. "Betray" begins with an awesome
start,
thanks to a wailing guitar intro that sounds like someone screaming.
The
pacing is slow
and steady, with no rush to reach the end.
Wounds:
This
track opens with an beautiful piano solo. Thanks to
very minute changes in the key strokes, feelings of sadness start to
well up within me. When the violin is added, it's adds a
melancholy essence that makes me want to cry.
"Wounds" is telling me a very sad story.
Destiny: Each beat
is like a step towards the future.
More subtle piano work adds a gentle touch the driving
cadence of the song.
Captivate: A jazzy piece that will remind some of the work
by Yoko Kanno from "Cowboy Bebop". The
pulse is strong and steady. This time, Omori uses brass instruments
(mostly horns), which makes "Captivate" stand out amongst the other tracks.
Cherish: Quiet piece, done at a slow speed. Sounds like an end of the show theme or something you would hear during a emotional love scene. Very pretty, you feel the wonderful emotion of cherishing someone you love.
Crescent: From start to finish, "Crescent" fills you with an overpowering sadness. When the violin starts to play, my melancholy deepens, like there is no hope in sight.
Haunting: Just like the name, this song has a haunting
theme. Omori uses a harp to helps
to build tension until the crescendo.
Dusk: It's very much like a slow dance song you might hear
on vacation in the tropics. This
song has a happy feel to it that makes you smile.
Precious: It's like "Captivate" only slower. You can feel that Omori is channeling Studio Ghibli composer Jo Hisaishi by his use of the flute.
Homage: This one has a very familiar feel to a previous track from this album, Crescent. Like "Precious" the influence of Jo Hisaishi in this track as well.
Beleaguer:
A
switch from the rather melancholy theme
of the last few tracks. Like the earlier songs, there is a
real up-tempo beat with lots of raw anger and rage. Clever use of a piano half way through helps to diffuse
the intense emotions of the song, but then we go right back to the intensity of the
first half. The effects on your emotional state is one of the
best parts of the album.
Vain: As Elton John would say “Sad Songs Say So Much!” Once again we have a violin singing a sad song! It's full of suffering with little happiness in sight.
Delusion: Spooky
tune, one that makes you think of weird "Dali" dreams with twisted clocks
and floating pieces.
Maze: Mystery is the indisputable theme to this selection with
it's interesting keyboard work.
Random clattering thrown in to the songs adds to creepy and suspenseful
tone.
Justice: If
you love the power of British Quartet “BOND”, then you
will love this "racing to destiny" track. I can see the
characters running or flying at a dangerous speed.
Tormenter: DESTROY!!!!!! That's all there is to say about
this "end of the world" piece.
Demoniac: The organ plays and the dead will arise. Then the world will be covered in the ashes of doom! The forceful sound of the organ builds up to what you think will be an awesome climax, but it suddenly levels off, and has no real ending.
Prayer: When all
hope is lost and you don’t know where things will go, the only
thing left to do is pray to God and hope that he will come and save
the world!
The End of the Cycle of Reincarnation….[On Air Version]:
The only lyrical piece on the CD, it the perfect end for this album
full of hope and sadness. Fumiko
Orikasa voice is very sweet, with a youthful energy.
Tsukihime, Lunar Legend: "Moonlit Archives" is one of those soundtracks that has a lot of ups and downs. Toshiyuki Omori's does a really fantastic job at building up the tension or dragging you into the depths of darkness. I really want to see the anime, so I can discover what is happening during the more intense musical pieces.
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